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Dakota County

Analog delay with three outs.  Has a blended out, a dry out that does nothing, and wet out, that is only the effected signal and none of your dry signal.  Controls feature delay time, feedback amount, blend of wet/dry, and volume boost.

Analog delay with three outs.  Has a blended out, a dry out that does nothing, and wet out, that is only the effected signal and none of your dry signal.  Controls feature delay time, feedback amount, blend of wet/dry, and volume boost.

Original price was: $150.00.Current price is: $100.00.

SKU: EFFECTDAKOTACOUNTYDELAY Category:
"This pedal is dynamite. It's the closest thing I've ever found to a tube Binson Echorec."--Wreckless Eric

"Try the Dakota for that East Bay Ray delay!"--Stan Lee, the Dickies.

"It's crazy.  I like my "other brand of delay," but your pedal kills it.  It just has more going for it all around.  I was playing it really clean, through the Magnatone with a Strat... it was really cool country/rockabilly sounding.  A lot of fun." He also said "last night at the Dickies gig, Stan Lee and I discussed Sioux. He likes the new pedal too, said he thought it was the best one you've done, I agree."--Danny Sage, D Generation.
"You've got a winner.  Really nice unit.  I love it.  Very smooth and quiet.  Easy to tweak. With Ron Asheton's old Les Paul it has a nice attack to the overall tone.  Adjusting the delay and feedback is super easy to sync it to song tempos with a really rich and warm delay.  I could see this as a great tool for leads and for rockabilly style slap.  And none of that cheesy, washed out town so many units give.  I also tried it with my old Washburn resonator, playing slide and that is probably my favorite.  You can get some real slimy voodoo funk happening.  With my Martin acoustic/electric, I set it to a real short, tight delay and it fills out the sound without washing things out.  Almost like having 2 guitars playing!  This would be ideal for and acoustic solo gig.  I also tried it on bass (Beatle bass and Fender Tele style bass) and vocals (Shure SM55 Elvis mic straight into a Vox amp!!) and got some very interesting and usable effects and tones.  Fun Stuff!  I didn't find any application where it did not excel.  As you know, I've never really used effects live but I like them for little touches here and there in the studio.  I can see this getting a lot of use.  Good one, man!  I'm sure I'll use it a ton.  (fave "basic" setting- 11/10/9/12 o'clocks)"--Jeff Dahl,  Angry Samoans, Poison Idea, Vox Pop, and Powertrip.

"It sounds really cool the level knob can deliver some nasty ass over drive...I'm having lots of fun with this honey.  Wow!"--Sylvain Sylvain, New York Dolls

 

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